Is the taylor big baby super smaller then a regular guitar?
I know the taylor big baby is smaller then a full sized one but is it like SUPER difference?? no the baby but the BIG baby.
i havnt went to the music store yet. thanks!
is it any harder to play then a full size ( ill be learning how to play 1 soon)
It is 15/16 size but it has a full-length scale (25.5″). It’s no more difficult to play than a full size guitar but frankly for $450 I think there are better guitars out there. Unless there’s some reason why you need a less than full size guitar I wouldn’t recommend it.
On the other hand, if you play it and love it then by all means get it.
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Taylor Big Baby
$449
Taylor Big Baby The three-quarter-size Baby Taylor, with either solid spruce or solid mahogany top, makes a great-sounding traveling companion. The larger Big Baby (15/16 of full-size) has a spruce top and plays like a grownup. Both feature laminated backs and sides and come with a gig bag to help you get around. Taylor Guitar Big Baby The Baby Taylor’s big sibling, a 15/16-scale Dreadnought with a solid Sitka spruce top and sapele-laminate back and sides, boasts a surprisingly full voice, comes with a lightweight gig bag for easy portability, and makes a trusty companion wherever you go – even if it’s just to the couch. Taylor Guitar Big Baby Wood A solid Sitka spruce top gives the Big Baby top-shelf tone, while the sapele laminate adds extra resilience against climatic changes. Taylor Guitar Big Baby Body Type: 15/16 Size Dreadnought Measuring just a fraction smaller than a full-size Taylor Dreadnought, the Big Baby is small enough to be a perfect travel companion, yet big enough to be a trusty performer. Taylor Guitar Big Baby Finish: Varnish A durable varnish finish offers protection, good looks, and a smooth feel to the touch. Available in natural finish. Taylor Guitar Big Baby Features: Type/Shape: 6-String 15/16 Size Dreadnought Back & Sides: Sapele Laminate Top: Sitka Spruce Soundhole Rosette: Laser-Etched Neck: Tropical American Mahogany Fretboard: Ebony Fretboard Inlay: Pearloid Dots Headstock Overlay: Lexan Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Enclosed, Die-Cast Chrome Plated Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 11/16 Inches Number of Frets: 20 Bracing: X-Brace Finish: Varnish Body Width: 15 Inches Body Depth: 4 Inches Body Length: 19 1/2 Inches Overall Length: 40 1/4 Inches Case: Gig Bag Get your Taylor Big Baby today !!!
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Taylor Baby
$299
Taylor Baby The three-fourths-size Baby Taylor, with either solid spruce or solid mahogany top, makes a great-sounding traveling companion. The larger Big Baby (15/16 of full-size) has a spruce top and plays like a grownup. Both feature laminated backs and sides and come with a gig bag to help you get around. Taylor Guitar Baby At a 3/4-scale, the Baby Taylor is the little Dreadnought that could. Taylor’s ultra-portable travel mate belies its size with a sweet, full voice and great tone. It’s remarkably versatile for special applications, whether played in alternate tunings or high-strung; with a capo or a slide. And it’s the perfect starter guitar for young kids. Taylor Guitar Baby Wood A solid Sitka spruce top, coupled with a durable sapele laminate arched back, packs a heap of tone into a small body, and yields great clarity and projection. Taylor Guitar Baby Body Type: 3/4 Size Dreadnought At 3/4 the scale of a full-sized Taylor Dreadnought, the body of a Baby Taylor is compact yet still full on tone. Taylor Guitar Baby Finish: Varnish A durable varnish finish offers protection, good looks, and a smooth feel to the touch. Taylor Guitar Baby Features: 6-String 3/4 Size Dreadnought Back & Sides: Sapele Laminate Top: Sitka Spruce Soundhole Rosette: Laser-Etched Neck: Tropical American Mahogany Fretboard: Ebony Fretboard Inlay: Pearloid Dots Headstock Overlay: Lexan Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Enclosed, Die-Cast Chrome Plated Scale Length: 22 3/4 Inches Truss Rod: Adjustable Neck Width at Nut: 1 11/16 Inches Number of Frets: 19 Bracing: X-Brace Finish: Varnish Body Width: 12 1/2 Inches Body Depth: 3 3/8 Inches Body Length: 15 3/4 Inches Overall Length: 33 3/4 Inches Case: Gig Bag Get your Taylor Baby today !!!
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Otis Taylor – Truth Is Not Fiction
$20.94
Personnel includes: Otis Taylor (vocals, guitar, electric banjo, mandolin, harmonica); Eddie Turner (guitar); Ben Sollee (cello); Kenny Passarelli (bass, keyboards); Cassie Taylor (background vocals).Personnel: Otis Taylor (vocals, acoustic guitar, electric guitar, lap steel guitar, Spanish guitar, banjo, electric banjo, mandolin, harmonica); Eddie Turner (guitar); Ben Sollee (cello); Kenny Passarelli (piano, keyboards); Cassie Taylor (background vocals).Recording information: Derryberry Audio, Westminster, CO; Stepbridge Studios, Santa Fe, NM.Arranger: Kenny Passarelli.Otis Taylor can make people nervous. His take on the blues is defiant, angry, aggressive, and confrontational, owing as much to Peter Tosh as Charley Patton. Although he carries the dust of 1920s country blues in his mostly acoustic songs, his railings against social injustices are thoroughly contemporary. Taylor is an often pedantic songwriter, but he pulls it off by sheer bravado and conviction, and like a driver who blows through a stop sign, he`s sure about where he`s going. Truth Is Not Fiction follows the template of his previous three albums, with no drums (the rhythm comes from the sheer propulsion of Taylor`s guitar, banjo, and mandolin playing) and a sort of Appalachian griot approach to things. One of the highlights is the strange Russian blues (complete with cello) of "House of the Crosses," a perfect example of Taylor`s mix of rustic themes with cosmopolitan purposes. The full speed ahead rhythm banjo on "Babies Don`t Lie" drills into your head like a freight train, and the ante is upped with double-barrelled banjos in both channels on "Shakie`s Gone," making Taylor sound at times like Richie Havens on steroids. The album closer, a gut-bucket cover of the Big Joe Williams classic "Baby, Please Don`t Go," seems oddly stuck in low gear, but overall Truth Is Not Fiction works well. Given his agenda, Taylor isn`t for everyone, but he brings a fresh approach and a welcome shot in the ass to contemporary blues. ~ Steve Leggett Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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Mod Mum Reversible Baby Sling in Taylor
$50.9
*Baby stays comfy while mom stays fashionable with a chic baby sling from Mod Mum *Baby carrier is reversible with a patter on either side *Slim strip of reverse pattern shows on either side to give baby sling some serious style *Includes sleek leg padding to add a little bit of comfort for baby when using the hip carry *Available in Taylor color option *100-percent cotton *Machine washable
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Taylor 312CE
$1599
Taylor 312CE The one thing that all acoustic guitarists have in common, whether they are a beginner or experienced professional, is that once they pick up a Taylor, it’s the beginning of a life-long love affair. Even the occasional player finds themselves devoting more and more time to playing their new Taylor. In fact, one such part time player, a lawyer, wrote a letter to Taylor stating that he was spending more time playing his new Taylor and less time on his law practice. The If you’re looking for a small-bodied guitar with a big sound that you can fall in love with, Taylor 312ce Grand Concert is your guitar. Taylor Guitar 312ce at a Glance: Small-bodied 6-String acoustic/electric with Venetian cutaway . Sitka Spruce top, African Mahogany back and sides. Clear-sounding and comfortable Grand Concert body. Satin finish with gloss top. Taylor Expression System with Neve electronics. Taylor Guitar 312ce Comfortable and always fun to play, the Taylor 312ce small-body Grand Concert features elegant black fiber binding, a gloss top, and Venetian cutaway. Solid African mahogany backs and sides and gloss-finished Sitka spruce tops provide a clear, balanced tone, while wood fiber binding, large pearl dot fretboard inlays, and chrome Taylor tuners streamline the look. Taylor Guitar 312ce Wood The warm tone and open midrange of African mahogany balances the bright and snappy characteristics of a Sitka spruce top. The resulting combination provides the perfect guitar for strong, rhythmic playing styles. Taylor Guitar 312ce Body Type: Grand Concert The Taylor 312ce Grand Concert is the quintessential small-bodied guitar. Its comfortable shape delivers clarity and a balanced response for an unforgettable player experience. Scaled-down proportions make the 312ce Grand Concert ideal for fingerstyle playing. Taylor Guitar 312ce Finish The finish used to create this guitar’s textured satin back and sides and lustrous gloss top was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish. Taylor Guitar 312ce Electronics Taylor Expression System™Designed to faithfully reproduce your guitar’s native tone, the Expression System™ utilizes patented Dynamic Sensors™ to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Taylor Guitar 312ce Features: Type/Shape: 6-String Grand Concert Back & Sides: African Mahogany Top: Sitka Spruce Soundhole Rosette: Wood Fiber Neck: Tropical American Mahogany Fretboard: Ebony Fretboard Inlay: Large Pearl Dots Headstock Overlay: Indian Rosewood Binding: Black Fiber Bridge: Ebony Nut & Saddle: Tusq
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Taylor 610CE
$2699
Taylor 610CE This six-string Dreadnought combines the bright, clear and balanced tones of Big Leaf maple and Sitka spruce to create an exciting tonal palette. The distinctive blend of Big Leaf maple and Sitka spruce creates a bright, crystalline timbre with strong projection and warm overtones. Guitar Shape A traditional shape refined, we combine classic dreadnought volume and bass response with the definitive Taylor sound: clear trebles and an open, airy midrange that Bob Taylor’s signature design accentuates. Recent re-voicing turns up the bass and volume even more. Dreadnoughts respond especially well to flatpicking or light-to-heavy strumming. Taylor Expression System Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Gloss Finish The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available finish options in this series include natural, amber, red, black, blue, cherry/black sunburst, cherry sunburst, honey sunburst, and tobacco sunburst. Features: Type/Shape: 6-String Dreadnought Back & Sides: Big Leaf Maple Top: Sitka Spruce Soundhole Rosette: Abalone Neck: Hard Rock Maple Fretboard: Ebony Fretboard Inlay: Pearl “Leaf” Pattern Headstock Overlay: Ebony Binding: White Plastic Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Gold-plated Taylor Tuners Strings: Elixir® Medium Gauge Strings with NANOWEB® Coating Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 3/4 Inches Number of Frets: 20 Bracing: Scalloped, X-Brace Finish: Gloss Cutaway: Venetian Electronics: Taylor Expression System™ Body Width: 16 Inches Body Depth: 4 5/8 Inches Body Length: 20 Inches Overall Length: 41 Inches Case: Taylor Deluxe Hardshell Get your Taylor 610CE today !!!
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Taylor NS64CE
$2849
Taylor NS64CE In the Grand Auditorium, the inspired blend of Big Leaf maple and Engelmann spruce sounds even bigger and bolder, with increased bass response and sustain. Taylor’s NS64ce is a very special nylon-string guitar. With its Grand Auditorium size and the inspired blend of Big Leaf maple and Engelmann spruce, the NS64ce sounds even bigger and bolder, with increased bass response and sustain. Taylor NS64ce Acoustic/electric Guitar at a Glance: Classic tonewoods including Engelmann spruce and Big Leaf maple Clear definition and treble “zing” from Grand Auditorium body style Fishman Prefix Pro Blend electronics Classic tonewoods including Engelmann spruce and Big Leaf maple The NS64ce top is crafted of select Engelmann spruce, while the back and sides are Big Leaf maple. The mature overtones of the Engelmann spruce top combines perfectly with the clean, powerful voice of Big Leaf maple to produce a balanced tone, which responds well to the lightest touch. Clear definition and treble “zing” from Grand Auditorium body style Taylor’s Grand Auditorium combines the width and depth of a Dreadnought with a narrower waist. The NS64ce’s sleek design yields a strong treble zing across the tonal spectrum and sharpens the definition of individual notes. The Grand Auditorium is a strong fingerpicking guitar, yet the NS64ce also adapts well to medium strumming. Fishman Prefix Pro Blend electronics The NS64ce includes a high-quality Fishman Prefix Pro Blend system. Featuring a side-mounted control unit, this system combines a Fishman Matrix transducer with a miniature electret-condenser microphone on the inside of the guitar body (mounted on the underside of the control unit). There’s also a small trim control that adjusts the volume of the microphone. Shelving-style bass, treble, and a semi-parametric contour EQ enable tone-shaping, while a phase switch and adjustable notch filter help eliminate feedback. Taylor NS64ce Acoustic/electric Guitar Features: Body Type: 6-String Grand Auditorium w/Venetian Cutaway Finish: Gloss Bracing: Nylon Series Top Wood: Engelmann Spruce Back Wood: Big Leaf Maple Side Wood: Big Leaf Maple Neck Wood: Tropical American Mahogany Fingerboard: Ebony Scale Length: 25-1/2″ No. of Frets: 20 Tuning Machines: Ping Classical Gold with Ivoroid Buttons Rosette: Hawaiian Koa and Maple Bridge: Cocobolo Saddle: Tusq Electronics: Fishman Prefix Pro Blend Case: Taylor Deluxe Hardshell
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Taylor 412CE
$1849
Taylor 412CE The 400 Series boasts backs and sides of solid ovangkol, an African tonewood with olive-brown coloration, intensely varied grain, and rosewood-like tone. Features include a solid, gloss-finished Sitka spruce top, white fiber binding, an ebony fretboard inlaid with pearl dots, and the Expression System, now standard on all CE models. Taylor 412ce Sporting a Venetian cutaway and Taylor’s Expression System electronics, this versatile Grand Concert is ready for anything. From your living room to the concert stage, it’s ideal for medium to heavy strumming and flatpicking. Taylor 412ce Wood The quick, articulate response of Sitka spruce is combined with the warmth and sparkle of ovangkol, giving the 400 Series a tone reminiscent of rosewood, yet uniquely its own. Taylor 412ce Body Style Grand Concert The one thing that all acoustic guitarists have in common, whether they are a beginner or experienced professional, is that once they pick up a Taylor, it’s the beginning of a life-long love affair. Even the occasional player finds themselves devoting more and more time to playing their new Taylor. In fact, one such part time player, a lawyer, wrote a letter to Taylor stating that he was spending more time playing his new Taylor and less time on his law practice. The If you’re looking for a small-bodied guitar with a big sound that you can fall in love with, Taylor 412ce Grand Concert is your guitar. Taylor Guitar 412ce at a Glance: Small-bodied 6-String acoustic/electric with Venetian cutaway . Sitka Spruce top, Ovangkol back and sides. Clear-sounding and comfortable Grand Concert body. Satin finish with gloss top. Taylor Expression System with Neve electronics. Taylor Expression System Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Taylor 412ce Finish: Satin with Gloss Top The finish used to create this guitar’s textured satin back and sides and lustrous gloss top was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Features: Type/Shape: 6-String Grand Concert Back & Sides: Ovangkol Top: Sitka Spruce Soundhole Rosette: Wood Fiber Neck: Tropical American Mahogany Fretboard: Ebony Fretboard Inlay: Large Pearl Dots Headstock Overlay: Indian Rosewood Binding: White Fiber Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Chrome-plated Taylor Tuners Strings: Elixir® Light Gauge Strings with NANOWEB® Coating Scale Length: 25 1/2 Inches Truss Rod: Adjust
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Taylor 615CE
$2949
Taylor 615CE Fill any room with brilliant and resonant sound. The Taylor maple model 615CE Jumbo Acoustic-Electric Guitar has been affectionately referred to as a guitar cannon with good reason. It has excellent projection. The distinctive blend of big leaf maple and Sitka spruce creates a bright, crystalline timbre with strong projection and warm overtones. The Jumbo Electric-Acoustic delivers the extra-deep resonance and volume that come with a larger sound chamber together with its own signature subtleties. Revoicing has sharpened its tonal difference from the Dreadnought. With a huge presence, the Jumbo is perfectly suited for aggressive strumming. Luxurious appointments include an ebony headstock overlay, ebony bridge, white binding, abalone soundhole rosette, and abalone leaf inlays. The Taylor 615-CE Jumbo Cutaway Acoustic-Electric Guitar is designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. The finish on the 615-CE Jumbo Cutaway -that is used to create this guitar’s lustrous gloss top, back, and sides- was developed at Taylor for maximum durability and resistance to cold-checking. This ultraviolet-cured finish is also more environmentally friendly than traditional lacquer finishes. Taylor 615CE Features: Type/Shape: 6-String Jumbo Back & Sides: Big Leaf Maple Top: Sitka Spruce Soundhole Rosette: Abalone Neck: Hard Rock Maple Fretboard: Ebony Fretboard Inlay: Pearl “Leaf” Pattern Headstock Overlay: Ebony Binding: White Plastic Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Gold-plated Taylor Tuners Strings: Elixir® Medium Gauge Strings with NANOWEB® Coating Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 3/4 Inches Number of Frets: 20 Bracing: Scalloped, X-Brace Finish: Gloss Cutaway: Venetian Electronics: Taylor Expression System™ Body Width: 17 Inches Body Depth: 4 5/8 Inches Body Length: 21 Inches Overall Length: 42 Inches Case: Taylor Deluxe Hardshell Get your Taylor 615CE today !!!
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Taylor 614CE
$2949
Taylor 614CE The bold sounds of Big Leaf maple and Sitka spruce are enhanced by our Grand Auditorium body design. The distinctive blend of Big Leaf maple and Sitka spruce creates a bright, crystalline timbre with strong projection and warm overtones. Grand Auditorium Our Grand Auditorium combines the width and depth of a Dreadnought with a narrower waist. Its sleek design yields a strong treble zing across the tonal spectrum and sharpens the definition of individual notes. The Grand Auditorium is a strong fingerpicking guitar that also adapts well to medium strumming. Taylor Expression System Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Gloss Finish The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available finish options in this series include natural, amber, red, black, blue, cherry/black sunburst, cherry sunburst, honey sunburst, and tobacco sunburst. Features: Type/Shape: 6-String Grand Auditorium Back & Sides: Big Leaf Maple Top: Sitka Spruce Soundhole Rosette: Abalone Neck: Hard Rock Maple Fretboard: Ebony Fretboard Inlay: Pearl “Leaf” Pattern Headstock Overlay: Ebony Binding: White Plastic Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Gold-plated Taylor Tuners Strings: Elixir® Light Gauge Strings with NANOWEB® Coating Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 3/4 Inches Number of Frets: 20 Bracing: Scalloped, X-Brace Finish: Gloss Cutaway: Venetian Electronics: Taylor Expression System™ Body Width: 16 Inches Body Depth: 4 5/8 Inches Body Length: 20 Inches Overall Length: 41 Inches Case: Taylor Deluxe Hardshell Get your Taylor 614CE today !!!
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Taylor 655CE
$2999
Taylor 655CE Our Jumbo 12-string gains increased versatility with a cutaway and state-of-the-art electronics. The distinctive blend of Big Leaf maple and Sitka spruce creates a bright, crystalline timbre with strong projection and warm overtones. Jumbo Body The Jumbo delivers the extra-deep resonance and volume that come with a larger sound chamber together with its own signature subtleties. Revoicing has sharpened its tonal difference from the Dreadnought. With a huge presence, the Jumbo is perfectly suited for aggressive strumming. Taylor Expression System Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Gloss Top The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available finish options in this series include natural, amber, red, black, blue, cherry/black sunburst, cherry sunburst, honey sunburst, and tobacco sunburst. Features: Type/Shape: 12-String Jumbo Back & Sides : Big Leaf Maple Top : Sitka Spruce Soundhole Rosette : Abalone Neck : Hard Rock Maple Fretboard : Ebony Fretboard Inlay : Pearl “Leaf” Pattern Headstock Overlay : Ebony Binding : White Plastic Bridge : Ebony Nut & Saddle : Tusq Tuning Machines : Gold-plated Taylor Tuners Strings : Elixir® Light Gauge Strings with NANOWEB® Coating Scale Length : 25 1/2 Inches Truss Rod : Adjustable Neck Width at Nut: 1 7/8 Inches Number of Frets : 20 Bracing : Scalloped, X-Brace Finish : Gloss Cutaway : Venetian Electronics : Taylor Expression System™ Body Width 17 Inches Body Depth : 4 5/8 Inches Body Length : 21 Inches Overall Length : 43 Inches Case : Taylor Deluxe Hardshell Get your Taylor 655CE today !!!
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Taylor 612CE
$2749
Taylor 612CE Our maple/spruce Grand Concert has an intimate feel while retaining its tonal brightness and clarity. The distinctive blend of Big Leaf maple and Sitka spruce creates a bright, crystalline timbre with strong projection and warm overtones. Grand Concert Revoiced and now with a deeper body, the Grand Concert is the quintessential small-bodied guitar. Its comfortable shape delivers clarity and a balanced response for an unforgettable playing experience. Scaled-down proportions make the Grand Concert ideal for fingerstyle playing. Taylor Expression System Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Gloss Finish The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available finish options in this series include natural, amber, red, black, blue, cherry/black sunburst, cherry sunburst, honey sunburst, and tobacco sunburst. Features: Type/Shape: 6-String Grand Concert Back & Sides: Big Leaf Maple Top: Sitka Spruce Soundhole Rosette: Abalone Neck: Hard Rock Maple Fretboard: Ebony Fretboard Inlay: Pearl “Leaf” Pattern Headstock Overlay: Ebony Binding: White Plastic Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Gold-plated Taylor Tuners Strings: Elixir® Light Gauge Strings with NANOWEB® Coating Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 3/4 Inches Number of Frets: 20 Bracing: Scalloped, X-Brace Finish: Gloss Cutaway: Venetian Electronics: Taylor Expression System™ Body Width: 15 Inches Body Depth: 4 3/8 Inches Body Length: 19 1/2 Inches Overall Length: 40 1/2 Inches Case: Taylor Deluxe Hardshell Get your Taylor 612CE today !!!
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James Taylor (Popular) – Sweet Baby James
$29.28
Though James Taylor`s self-titled debut introduced his mellow melodicism and affecting songcraft, SWEET BABY JAMES was the album that rocketed him to national recognition. With SWEET BABY JAMES, Taylor abandoned the slightly psychedelic structural ambition of his first record (the first side was composed as a suite), and settled fully into the folk and country styles to which he is best suited. The top ten hit "Fire and Rain," for instance, a deeply personal story-song based on the artist`s experiences in mental hospitals and the suicide of a friend, is built around Taylor`s gentle, understated voice, acoustic guitar, cello, piano, and drums.The plaintive, melancholic air of "Fire and Rain" resonated with millions of listeners, as did the rest of the album. Taylor`s lyrics, which address personal identity, religion, and relationships lost and struggling, are highly confessional, yet associative and lyrical enough to reflect the lives of listeners. At times, he marries the plight of the sensitive soul to the myth of the cowboy in songs like the title track, a kind of campfire lullaby, or to country traditions, as in "Country Road." In all, these elements combine to make SWEET BABY JAMES, arguably, Taylor`s definitive statement, and one of the most influential albums in the singer-songwriter genre. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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James Taylor (Popular) – James Taylor
$13.26
Personnel includes: James Taylor (vocals, guitar, percussion, hand claps); Richard Hewson (conductor); Mick Wayne (guitar); Skaila Kanga (harp); Don Schinn (electric piano, harpsichord, organ); Freddie Redd (organ); Louis Cennamo, Paul McCartney (bass); Bishop O`Brien (drums, percussion); Peter Asher (tamborine, percussion, hand claps, background vocals); Aeolian String Quartet, Amici String Quartet.Recorded at Trident Studios, London, England from July to October 1968.Includes liner notes by Steve Kolanjian.Though James Taylor wasn`t a commercial success until SWEET BABY JAMES made him a star in 1971, one of his finest works is this 1968 debut album. Recorded shortly after Taylor was signed to The Beatles` Apple label by producer Peter Asher, it finds the singer-songwriter brimming with confidence and energy. Featuring elaborate orchestration and even a guest appearance from Paul McCartney, Taylor`s debut is more produced than SWEET BABY JAMES.The ornate arrangements give the album a wonderfully late-`60s sound that perfectly complements Taylor`s accomplished acoustic guitar work and warm, assured singing. In addition to containing such strong performances as the bluesy lament "Circle Round The Sun" and the concert favorite "Rainy Day Man," the album features the original high-spirited recordings of such Taylor classics as "Carolina In My Mind" and "Something In The Way She Moves," which are far superior to the more subdued versions that Taylor re-recorded (due to legal problems with Apple) for his greatest hits album in 1975. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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Taylor 815CE
$2999
Taylor 815CE With a cutaway blazing a path to the upper registers and the Expression System™ opening all the tonal gates, the 815ce’s potential for music-making is almost limitless. Sitka spruce was born to handle the aggressive strumming that this Jumbo encourages, yet the soundboard allows for the finest articulation and lead work. Coupled with the Expression System, rosewood’s natural sustain makes power chords interchangeable with legato riffs and a rhythm and lead instrument in one big body. Jumbo Body The Jumbo delivers the extra-deep resonance and volume that come with a larger sound chamber together with its own signature subtleties. Revoicing has sharpened its tonal difference from the Dreadnought. With a huge presence, the Jumbo is perfectly suited for aggressive strumming. Taylor Expression System Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. Gloss Finish The finish used to create this guitar’s lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish or with an optional Tobacco or Honey Sunburst top (with natural back and sides). Features: Type/Shape: 6-String Jumbo Back & Sides: Indian Rosewood Top: Sitka Spruce Soundhole Rosette: Abalone Neck: Tropical American Mahogany Fretboard: Ebony Fretboard Inlay: Pearl 800 Series Headstock Overlay: Indian Rosewood Binding: White Plastic Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Gold-plated Taylor Tuners with Ebonoid Buttons Strings: Elixir® Medium Gauge Strings with NANOWEB® Coating Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 3/4 Inches Number of Frets: 20 Bracing: Scalloped, X-Brace Finish: Gloss Cutaway: Venetian Electronics: Taylor Expression System™ Body Width: 17 Inches Body Depth: 4 5/8 Inches Body Length: 21 Inches Overall Length: 42 Inches Case: Taylor Deluxe Hardshell Get your Taylor 815CE today !!!
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Taylor Baby Taylor Dreadnought Acoustic Guitar Natural
$299.99
Solid Sitka spruce top. 3/4 scale. Sapele arched back and sides. Ebony fretboard and bridge. Lexan headstock veneer. Laser-etched rosette. Enclosed die-cast tuners. 22-3/4" scale. 1-11/16" nut width.
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Eddie Taylor Jr. – I Got To Make This Money, Baby
$20.11
Personnel: Eddie Taylor Jr. (vocals, guitar); Demetria Taylor (vocals); Anthony Palmer (guitar); Tina Taylor (harp, harmonica, drum); Harmonica Hinds (harmonica); Greg McDaniel (bass guitar); Tim Taylor (drums). Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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Taylor NS62CE
$2749
Taylor NS62CE This Grand Concert beauty features a stunning blend of Big Leaf maple with an Engelmann spruce top, creating a bright crystalline resonance with warm overtones. Scaled-down proportions make the Grand Concert a comfortable and intimate nylon string guitar. And the Fishman Prefix Pro Blend make sure every sound is captured accurately. Additional features include: Gorgeous cypress rosette with Mexican-style pattern, Tropical American Mahogany neck with ebony fingerboard, Cocobolo bridge, Indian Rosewood binding, Tusq nut and saddle, Ping classical tuners with ivoroid buttons, and a classy gloss finish. Comes with hardshell case. Fishman Prefix Pro Blend Featuring a side-mounted control unit, this system combines a Fishman Matrix transducer with a miniature electret-condenser microphone on the inside of the guitar body (mounted on the underside of the control unit). There’s also a small Trim Control that adjusts the volume of the microphone. Shelving-style Bass, Treble, and a semi-parametric Contour EQ enable tone-shaping, while a Phase switch and adjustable Notch filter help eliminate feedback. Model Name: NS62CE Classical Acoustic/Electric Guitar Series: Nylon String Body: Big Leaf Maple Back/Sides, Englemann Spruce Top Neck: Tropical American Mahogany Machine Heads: Ping Classical Gold/Ivoroid Buttons FingerboardSeries: Nylon String Body: Big Leaf Maple Back/Sides, Englemann Spruce Top Neck: Tropical American Mahogany Machine Heads: Ping Classical Gold/Ivoroid Buttons Fingerboard: Ebony Frets: 20 Pickups: Fishman Prefix Pro Blend Bridge: Cocobolo Hardware: Gold-Plated Pickguard: none Scale Length: 25.5″ Case: Hardshell Included Accessories: Case
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![Chip Taylor - This Side Of The Big River [2/20]](http://stovermusic.com/auctions/send.php?i=aHR0cDovL2NkbjIub3ZlcnN0b2NrLmNvbS9pbWFnZXMvcHJvZHVjdHMvbXV6ZS9tdXNpYy85NTEzNjMuanBn)
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Chip Taylor – This Side Of The Big River [2/20]
$16.18
After writing three standards of the `60s — the garage rock classic "Wild Thing," made famous by the Troggs; the soft pop ballad "Angel of the Morning," originally cut by Merrilee Rush; and "Try (Just a Little Bit Harder)," made famous by Big Brother & the Holding Company — Chip Taylor began a solo recording career in the `70s, signing to Warner Bros. after releasing one rock-oriented album, Gasoline, on Buddah in 1971. His first album, rather ironically (and quite funnily) named Chip Taylor`s Last Chance, appeared in 1973 but it wasn`t a rock or a pop album: it was a country album, which signaled a return to his roots in a way, since he sang country music at the beginning of his career. Neither Last Chance nor the following year`s Some of Us were hits, but the label stuck with him through one more record, 1975`s This Side of the Big River. This is also a country album — indeed, it was the only one of his records to sell well enough to appear on the country charts — but it`s not a conventional country record by any means. It`s an appealingly sleepy, meandering record, drifting from languid ballads to laid-back country-rockers, but its sonic palette is broader than that suggests — the Gram Parsons-styled "I`ve Been Tied" is punctuated with horns; the slow, slow "Holding Me Together" is built upon electric pianos and mournful steel guitar — and the album recalls California singer/songwriters as often as it does Nashville. It could be pegged as progressive country, since there are some echoes of Kris Kristofferson and Mickey Newbury here, but Taylor isn`t an outlaw; he`s an outsider, crafting his own idiosyncratic music that doesn`t quite fit into any real specific category — which, of course, is its appeal.First and foremost, it`s a subtle songwriter`s record, but it`s a songwriter`s record where the most immediate tune is a cover — a rather rowdy version of Johnny Cash`s "Big River" that lends the LP its title. It`s taken from a live radio session, as are "John Tucker`s on the Wagon Again" and "You`re Alright, Charlie," and all three feel different — "Big River" has the kick of a concert, "John Tucker" is as conversational as a story, "You`re Alright, Charlie" is hushed and intimate — but boast a loose, human quality that presents a nice contrast to the studio cuts, which are professional in the best sense: accomplished without being polished, highlighting the skills of Taylor and his crew, since they make these reflective songs feel warm, comfortable, and lived-in. In fact, This Side of the Big River may be a little bit too broken-in — it rolls so slow and easy, his songs so subtle and solidly constructed, that it takes some effort on the part of the listener to get within its little details, whether it`s in the lyrics or the texture. But give it a little time and This Side of the Big River is not only quite charming, it`s
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