Do you like that deep, resonant, rich sound that brings out the soul in you? If so, you might be drawn to the bass guitar … a wonderful instrument that is both easy and fun to play. Oh, sure you might not be the lead guitarist in the band and maybe you won’t get much attention … until you’re not there. But, I can assure you if you’re the bass player and you’re absent from the band … the band would be a lost cause. It is the bass guitar that makes the band.

The bass guitar is an instrument commonly used in bands to add a deep, rich tone to music. These guitars can be both acoustic and electric, or a combination of both. There are five types of bass guitars available. These include the four string short, medium and long scale, the five string long scale and the six string long scale. The four string short scale bass guitar is the kind most commonly used by beginners. This is due to the fact that these guitars are slightly lighter and extremely common. The lighter weight of the guitar allows a beginner to become accustomed to the weight of the guitar while they learn. As it is easier to learn on four strings rather than five or six, most beginners work with four.

Question: If i use headphones, Can I damage my guitar amp by playing a bass through it?

I just bought a new bass guitar… but i don’t have a bass amp yet. I have some very nice headphones that I usually plug into my amp while i play guitar at night. I know that playing bass at high volume through a guitar amp can cause damage to the speaker, but what if I use my headphones? Can the amp still be damaged if I use headphones?

Answer: No it cannot. I wouldn’t push the thing to its limits…but that’s definitely ok to do.

When you first learn bass guitar, it is suggested that you take free online lessons, or be taught by a friend or professional tutor. As the fundamental basics are very important when you learn the bass guitar, you should make certain that you are not trapping yourself into bad habits.

Once you have learned the fundamental basics, which include taking care of your instrument, tuning your guitar and learning the basic strings and note variants, you will begin to learn chords. Chords are a combination of notes played in a certain order or all at once. These chords are combined to become melodies which are in turned used in songs. Learning chords is a requirement to be able to master the bass guitar, so you will spend a great deal of your time memorizing and practicing the different chords.

Learning the bass guitar is a combination of finger memory and memorization of chord patterns. In addition to this, it is having the ability to move your fingers in unison. Finger memory, or the ability to have your fingers automatically move to a desired chord without error, is something that many musicians spend years mastering. This finger memory permits a player to master extremely difficult runs, or series of chords. The harder the run, the more difficult chords are used within them.

Once you have mastered the basics of the bass guitar, chances are you will end up purchasing a new instrument. The guitars beginners use often have a less rich sound than a master’s guitar. When you purchase a guitar, you should balance your current skill with the skill you expect to be at six months from now, then buy a guitar that matches that skill level. Owning a guitar that is slightly more advanced than your current skill will cause no harm.

If you are interested in learning how to play guitar without a fretboard, it is suggested that you convert an older guitar to a fretless board, as this is much cheaper alternative than buying a high end guitar to learn on.

Fender Deluxe Acoustic Bass Guitar Gig Bag Black $38.99 Fender Deluxe Acoustic Bass Guitar Gig Bag Black

D’Addario EPBB170-5 Phosphor Bronze, Long-Scale, 5-String Acoustic Bass Guitar Strings Standard $37.99 D’Addario EPBB170-5 Phosphor Bronze, Long-Scale, 5-String Acoustic Bass Guitar Strings Standard

Bass Guitars: Bass Guitar, Jazz Bass, Acoustic Bass Guitar, Slapping, Rickenbacker 4001, Wal, Hfner 500]1, Eight String Bass Guitar $14.14 Bass Guitars: Bass Guitar, Jazz Bass, Acoustic Bass Guitar, Slapping, Rickenbacker 4001, Wal, Hfner 500]1, Eight String Bass Guitar

Gator GL-ACOU-BASS Lightweight Acoustic Bass Guitar Case Standard $119.99 Interior dimensions:. Body length: 25″. Body height: 6-1/2″. Upper bout: 13-3/4″. Lower bout: 17-1/4″. Middle bout: 12″.

Magic Slim/Joe Carter – That Ain’t Right [6/20] * $15.98 Magic Slim: Magic Slim (vocals, guitar); Joe Carter (slide guitar).Additional personnel: Lacy Gibson (guitar); Sunnyland Slim (piano); Willie Black (acoustic bass guitar); Fred Below (drums). Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Music From South Brazil $9.99 A beautiful album of traditional music of the Gauchos from Rio Grande do Sul, South Brazil, presented by the multiple award-winning group CTG Aldeia dos Anjos. The songs are accompanied on guitar, accordion, acoustic bass guitar, violin, flute, tambourine and castanettes. Info about the musicians and each piece illustrated with photos.

Levy’s CM19A $119.84 Levy’s CM19A 600 denier polyester acoustic bass guitar bag featuring 1" foam padding, plush lining, internal bridge and string protectors, saddle bag accessory pocket, twin shoulder straps and genuine leather trim and appointments. Inside dimensions: 50" x 18" at lower bout. Get Your Levy’s CM19A Today!

Applause AE140 $359.99 Applause AE140 Description Applause AE140-4 Acoustic Bass Guitar – It took 30-odd years of Ovation guitarmaking innovation to design an affordable guitar that doesn’t sound like an affordable guitar. The Summit Series: These guitars boast a bigger sound than guitars costing twice as much. For the most part that’s due to the Lyrachord body – the same U.S.A. made body found on upscale Ovations. Its roundback shape capitalizes on the structural power of the arch freeing the insides of sound-deadening bracing that traditional-style guitars require.

John Zorn – Goddess: Music for the Ancient of Days [6/29] $15.75 Personnel: Marc Ribot (guitar); Carol Emanuel (harp); Rob Burger (piano); Ben Perowsky (drums).Audio Mixer: Marc Urselli.Recording information: EastSide Sound, NYC (12/2009).Arranger: John Zorn.John Zorn`s interest in mysticism has shown itself in many different ways over the last two decades, but has become even more pronounced in the last couple of years. For instance, Goddess: Music for the Ancient of Days can be seen as a companion piece to In Search of the Miraculous, issued in February 2010. Both recordings share most of the same musicians: Rob Burger (piano), Ben Perowsky (drums), Kenny Wollesen (vibes), and Carol Emmanuel (harp). Trevor Dunn and Marc Ribot round out the cast on upright bass and guitar, respectively. Emmanuel`s harp plays a central role in these proceedings — more so than on its predecessor. Since this set celebrates "women in myth, magick and ritual throughout the Ages," and the aural evidence is in each of the album`s seven titles, this only makes sense. While the entire ensemble executes Zorn`s otherworldly, melodic, and cyclical compositions, it is Emmanuel`s harp that is the guiding and anchoring force in each of them. The opening track, "Enchantress," uses a close thematic variation of "Sacred Dance" from In Search of the Miraculous; its dynamic and textures are different, but there is only a single note that denotes one theme from the other. Ribot`s guitar plays an interesting role on this album, especially on tracks such as "White Magick," where along with the circular theme and a gradually layered and building sense of dynamic and tension, his instrument plays on the outer ring, where the chaotic element is at work in all ritualistic practice and the unexpected can happen and usually does. "Drawing Down the Moon" is perhaps the most singular cut. Written as if it were a song, it features lovely interplay between Burger and Emmanuel, with Emmanuel embellishing the melody with a surf-like reverb on his guitar. "Beyond the Infinite," the longest composition here, is also the knottiest. But it never leaves its harmonic balance in the lurch. Dunn`s bass plays an important role in extending its melodic reach as Emmanuel`s harp and Burger`s piano play through a series of shifting, interlocking rhythmic and lyric patterns, and Wollesen`s vibes solo is a stunner. This mystic celebration of the feminine is, like its previously released cousin, another of Zorn`s more ambitious — yet deliberate — attempts at writing adventurous music that is at once accessible and arresting in its beauty. ~ Thom Jurek Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.